Introduction
You must call it something -- the writing, the project, the work... the Book of Rust will do; something to call the ongoing book, a reactive surface that is in the constant process of oxidation and process until a certain critical mass or degree of specificity is reached, which becomes its own book -- called, perhaps, Hour of the Trace.
Parts of the following cross-reference this, a series of poems called The Mezzo-Soprano's Complaint, and the ever-popular untitled series.
For the purposes of this reading we will call it
s l o w l y. s p a c e.
In an essay on the work of Carla Harryman, Alan Davies writes that "the major distinction between poetry and prose is that in poetry the line breaks and in prose the sentence ends." I'd like to avoid the special claims poetry seems to make for itself; the following consists mainly of prose, shaped by space as the text, in turn, mediates silence; sheets from which data have been expunged, or where only edges are indicated.
This text was written for radio as a part of the 2004 Jack Straw Writers Program; I was very much intrigued by the idea of "dead air." The piece unfolds slowly, with a good deal of space both between and within sections.
"Port de Voix" is partially derived from the poem by Claude Royet-Journoud.
Parts of the following cross-reference this, a series of poems called The Mezzo-Soprano's Complaint, and the ever-popular untitled series.
For the purposes of this reading we will call it
s l o w l y. s p a c e.
In an essay on the work of Carla Harryman, Alan Davies writes that "the major distinction between poetry and prose is that in poetry the line breaks and in prose the sentence ends." I'd like to avoid the special claims poetry seems to make for itself; the following consists mainly of prose, shaped by space as the text, in turn, mediates silence; sheets from which data have been expunged, or where only edges are indicated.
This text was written for radio as a part of the 2004 Jack Straw Writers Program; I was very much intrigued by the idea of "dead air." The piece unfolds slowly, with a good deal of space both between and within sections.
"Port de Voix" is partially derived from the poem by Claude Royet-Journoud.